Accepted Papers

A COMBINED THEMATIC AND ACOUSTIC APPROACH FOR A MUSIC RECOMMENDATION SERVICE IN TV COMMERCIALS

Mohamed Morchid, Richard Dufour and Georges Linares

 

A COMPOSITIONAL HIERARCHICAL MODEL FOR MUSIC INFORMATION RETRIEVAL

Matevz Pesek, Ales Leonardis and Matija Marolt

 

A CROSS-CULTURAL STUDY ON THE MOOD OF K-POP SONGS

Xiao Hu, Jin Ha Lee, Kahyun Choi and J. Stephen Downie

 

A DATASET FOR COMPUTATIONAL STUDIES OF SCHENKERIAN ANALYSIS

Phillip Kirlin

 

A MULTI-MODEL APPROACH TO BEAT TRACKING CONSIDERING HETEROGENEOUS MUSIC STYLES

Sebastian Bock, Florian Krebs and Gerhard Widmer

 

A PROXIMITY GRID OPTIMIZATION METHOD TO IMPROVE AUDIO SEARCH FOR SOUND DESIGN

Christian Frisson, Stephane Dupont, Willy Yvart, Nicolas Riche, Xavier Siebert and Thierry Dutoit

 

A SIMPLE MODEL FOR COMPREHENSIVE MOTIVIC PATTERN MINING ABLE TO TRACK MELODIC TRANSFORMATIONS

Olivier Lartillot

 

AN ANALYSIS AND EVALUATION OF AUDIO FEATURES FOR MULTITRACK MUSIC MIXTURES

Brecht De Man, Brett Leonard, Richard King and Joshua D. Reiss

 

AN ASSOCIATION-BASED APPROACH TO GENRE CLASSIFICATION IN MUSIC

Tom Arjannikov and John Z. Zhang

 

ANALYZING SONG STRUCTURE WITH SPECTRAL CLUSTERING

Brian McFee and Dan Ellis

 

ARE POETRY AND LYRICS ALL THAT DIFFERENT ?

Abhishek Singhi and Daniel Brown

 

AUDIO TO SCORE ALIGNMENT AT THE NOTE LEVEL FOR ORCHESTRAL RECORDINGS

Marius Miron, Julio Jose Carabias-Orti and Jordi Janer

 

AUTOMATED DETECTION OF SINGLE- AND MULTI-NOTE ORNAMENTS IN TRADITIONAL IRISH FLUTE PLAYING

Munevver Kokuer, Peter Jancovic, Islah Ali-MacLachlan and Cham Athwal

 

AUTOMATIC INSTRUMENT CLASSIFICATION OF ETHNOMUSICOLOGICAL AUDIO RECORDINGS

Dominique Fourer, Jean-Luc Rouas, Pierre Hanna and Matthias Robine

 

AUTOMATIC KEY PARTITION BASED ON TONAL ORGANIZATION INFORMATION OF CLASSICAL MUSIC

Wang Kong Lam and Tan Lee

 

AUTOMATIC MELODY TRANSCRIPTION BASED ON CHORD TRANSCRIPTION

Antti Laaksonen

 

AUTOMATIC SET LIST IDENTIFICATION AND SONG SEGMENTATION OF FULL-LENGTH CONCERT VIDEOS

Ju-Chiang Wang, Ming-Chi Yen, Yi-Hsuan Yang and Hsin-Min Wang

 

BAYESIAN AUDIO ALIGNMENT BASED ON A UNIFIED GENERATIVE MODEL OF MUSIC AND INTERPRETATION

Akira Maezawa, Katsutoshi Itoyama, Kazuyoshi Yoshii and Hiroshi Okuno

 

BAYESIAN SINGING-VOICE SEPARATION

Po-Kai Yang, Chung-Chien Hsu and Jen-Tzung Chien

 

BOUNDARY DETECTION IN MUSIC STRUCTURE ANALYSIS USING CONVOLUTIONAL NEURAL NETWORKS

Karen Ullrich, Jan Schluter and Thomas Grill

 

CADENCE DETECTION IN WESTERN TRADITIONAL STANZAIC SONGS USING MELODIC AND TEXTUAL FEATURES

Peter Van Kranenburg and Folgert Karsdorp

 

CLASSIFYING EEG RECORDINGS OF RHYTHM PERCEPTION

Sebastian Stober, Daniel J. Cameron and Jessica A. Grahn

 

CODEBOOK BASED SCALABLE MUSIC TAGGING WITH POISSON MATRIX FACTORIZATION

Dawen Liang, John Paisley and Dan Ellis

 

COMPUTATIONAL MODELING OF INDUCED EMOTION USING GEMS

Anna Aljanaki, Frans Wiering and Remco C. Veltkamp

 

COMPUTATIONAL MODELS FOR PERCEIVED MELODIC SIMILARITY IN A CAPPELLA FLAMENCO SINGING

Nadine Kroher, Emilia Gomez, Catherine Guastavino, Francisco Gomez-Martin and Jordi Bonada

 

DEALING WITH THE THREE CATEGORIES OF MIR PERSONAL DATA PROCESSES

Pierre Saurel, Francis Rousseaux and Marc Danger

 

DESIGN AND EVALUATION OF ONSET DETECTORS USING DIFFERENT FUSION POLICIES

Mi Tian, Gyorgy Fazekas, Dawn Black and Mark Sandler

 

DETECTING DROPS IN EDM: CONTENT-BASED APPROACHES TO A SOCIALLY SIGNIFICANT MUSIC EVENT

Karthik Yadati, Martha Larson, Cynthia C. S. Liem and Alan Hanjalic

 

DETECTION OF MOTOR CHANGES IN VIOLIN PLAYING BY EMG SIGNALS

Ling-Chi Hsu, Yu-Lin Wang, Yi-Ju Lin, Cheryl D. Metcalf and Alvin W.Y. Su

 

DEVELOPING TONAL PERCEPTION THROUGH UNSUPERVISED LEARNING

Carlos Eduardo Cancino Chacon, Stefan Lattner and Maarten Grachten

 

DISCOVERING TYPICAL MOTIFS OF A RAGA FROM ONE-LINERS OF SONGS IN CARNATIC MUSIC

Shrey Dutta and Hema A Murthy

 

DRUM TRANSCRIPTION VIA CLASSIFICATION OF BAR-LEVEL RHYTHMIC PATTERNS

Lucas Thompson, Simon Dixon and Matthias Mauch

 

EMOTIONAL PREDISPOSITION OF MUSICAL INSTRUMENT TIMBRES WITH STATIC SPECTRA

Bin Wu, Andrew Horner and Chung Lee

 

ENHANCING COLLABORATIVE FILTERING MUSIC RECOMMENDATION BY BALANCING EXPLORATION AND EXPLOITATION

Zhe Xing, Xinxi Wang and Ye Wang

 

ESTIMATING MUSICAL TIME INFORMATION FROM PERFORMED MIDI FILES

Harald Grohganz, Michael Clausen and Meinard Mueller

 

ESTIMATION OF THE DIRECTION OF STROKES AND ARPEGGIOS

Isabel Barbancho, George Tzanetakis, Lorenzo J. Tardon, Peter F. Driessen and Ana M. Barbancho

 

EVALUATING THE EVALUATION MEASURES FOR BEAT TRACKING

Matthew Davies and Sebastian Bock

 

EVALUATION FRAMEWORK FOR AUTOMATIC SINGING TRANSCRIPTION

Emilio Molina, Ana M. Barbancho, Lorenzo J. Tardon and Isabel Barbancho

 

EXPLOITING INSTRUMENT-LEVEL PLAYING/NON-PLAYING SEQUENCES FOR SCORE SYNCHRONIZATION OF SYMPHONIC MUSIC

Alessio Bazzica, Cynthia C. S. Liem and Alan Hanjalic

 

EXTENDING HARMONIC-PERCUSSIVE SEPARATION OF AUDIO SIGNALS

Jonathan Driedger, Meinard Mueller and Sascha Disch

 

FRAME-LEVEL AUDIO SEGMENTATION FOR ABRIDGED MUSICAL WORKS

Thomas Praetzlich and Meinard Mueller

 

GENDER IDENTIFICATION AND AGE ESTIMATION OF USERS BASED ON MUSIC METADATA

Ming-Ju Wu and Jyh-Shing Jang

 

GEOGRAPHICAL REGION MAPPING SCHEME BASED ON MUSICAL RELATION

Sanghoon Jun, Seungmin Rho and Eenjun Hwang

 

HARMONIC-TEMPORAL FACTOR DECOMPOSITION INCORPORATING MUSIC PRIOR INFORMATION FOR INFORMED MONAURAL SOURCE SEPARATION

Tomohiko Nakamura, Kotaro Shikata, Norihiro Takamune and Hirokazu Kameoka

 

HIERARCHICAL APPROACH TO DETECT COMMON MISTAKES OF BEGINNER FLUTE PLAYERS

Yoonchang Han and Kyogu Lee

 

IDENTIFYING POLYPHONIC MUSICAL PATTERNS FROM AUDIO RECORDINGS USING MUSIC SEGMENTATION TECHNIQUES

Oriol Nieto and Morwaread Farbood

 

IMPACT OF LISTENING BEHAVIOR ON MUSIC RECOMMENDATION

Katayoun Farrahi, Markus Schedl, Andreu Vall, David Hauger and Marko Tkalcic

 

IMPROVING MUSIC RECOMMENDER SYSTEMS: WHAT CAN WE LEARN FROM RESEARCH ON MUSIC TASTES?

Audrey Laplante

 

IMPROVING QUERY BY TAPPING VIA TEMPO ALIGNMENT

Chun-Ta Chen and Jyh-Shing Roger Jang

 

IMPROVING RHYTHMIC TRANSCRIPTIONS VIA PROBABILITY MODELS APPLIED POST-OMR

Maura Church and Michael Scott Cuthbert

 

INFORMATION-THEORETIC MEASURES OF MUSIC LISTENING BEHAVIOUR

Daniel Boland and Roderick Murray-Smith

 

INTRODUCING A DATASET OF EMOTIONAL AND COLOR RESPONSES TO MUSIC

Matevz Pesek, Primoz Godec, Mojca Poredos, Gregor Strle, Joze Guna, Emilija Stojmenova, Matevz Pogacnik and Matija Marolt

 

JAMS: A JSON ANNOTATED MUSIC SPECIFICATION FOR REPRODUCIBLE MIR RESEARCH

Eric J. Humphrey, Justin Salamon, Oriol Nieto, Jon Forsyth, Rachel Bittner and Juan P. Bello

 

KEYWORD SPOTTING IN A-CAPELLA MUSIC

Anna Kruspe

 

LYRICSRADAR: A LYRICS RETRIEVAL SYSTEM BASED ON LATENT TOPICS OF LYRICS

Shoto Sasaki, Kazuyoshi Yoshii, Tomoyasu Nakano, Masataka Goto and Shigeo Morisihima

 

MEDLEYDB: A MULTITRACK DATASET FOR ANNOTATION-INTENSIVE MIR RESEARCH

Rachel M. Bittner, Justin Salamon, Mike Tierney, Matthias Mauch, Chris Cannam and Juan P. Bello

 

MELODIC ANALYSIS FROM A CORPUS OF JINGJU (BEIJING OPERA) MUSIC

Rafael Caro Repetto and Xavier Serra

 

MELODY EXTRACTION FROM POLYPHONIC AUDIO OF WESTERN OPERA: A METHOD BASED ON DETECTION OF THE SINGERS FORMANT

Zheng Tang and Dawn A. A. Black

 

MERGED-OUTPUT HMM FOR PIANO FINGERING AND ARRANGEMENT TOWARD AUTOMATIC PIANO REDUCTION

Eita Nakamura, Nobutaka Ono and Shigeki Sagayama

 

MIR_EVAL

Colin Raffel, Brian McFee, Justin Salamon, Eric Humphrey, Oriol Nieto, Dawen Liang and Dan Ellis

 

MODELING RHYTHM SIMILARITY FOR ELECTRONIC DANCE MUSIC

Maria Panteli, Niels Bogaards and Aline Honingh

 

MODELING TEMPORAL STRUCTURE IN MUSIC FOR EMOTION PREDICTION USING PAIRWISE COMPARISONS

Jens Madsen, Bjorn Sand Jensen and Jan Larsen

 

MODELING TEXTURE IN SYMBOLIC MUSICAL DATA

Mathieu Giraud, Florence Leve, Florent Mercier, Marc Rigaudiere and Donatien Thorez

 

MULTI-STRATEGY SEGMENTATION OF SYMBOLIC MELODIES

Marcelo Rodriguez-Lopez, Anja Volk and Dimitrios Bountouridis

 

MULTIPLE VIEWPIONT MELODIC PREDICTION WITH FIXED-CONTEXT NEURAL NETWORKS

Srikanth Cherla, Tillman Weyde and Artur d'Avila Garcez

 

MUSE: A MUSIC RECOMMENDATION MANAGEMENT SYSTEM

Martin Przyjaciel-Zablocki, Thomas Hornung, Alexander Schatzle, Sven Gaub, Io Taxidou and Georg Lausen

 

MUSIC ANALYSIS AS A SMALLEST GRAMMAR PROBLEM

Kirill Sidorov, Andrew Jones and David Marshall

 

MUSIC CLASSIFICATION BY TRANSDUCTIVE LEARNING USING BIPARTITE HETEROGENEOUS NETWORKS

Diego Furtado Silva, Rafael Geraldeli Rossi, Solange Oliveira Rezende and Gustavo Enrique de Almeida Prado Alves Batista

 

MUSIC INFORMATION BEHAVIORS AND SYSTEM PREFERENCES OF UNIVERSITY STUDENTS IN HONG KONG

Xiao Hu, Jin Ha Lee and Leanne Ka Yan Wong

 

MUSIC STRUCTURE SEGMENTATION USING PRIORS

Geoffroy Peeters and Victor Bisot

 

MUSICAL STRUCTRAL ANALYSIS DATABASE BASED ON GTTM

Masatoshi Hamanaka, Keiji Hirata and Satoshi Tojo

 

NOTE-LEVEL MUSIC TRANSCRIPTION BY MAXIMUM LIKELIHOOD SAMPLING

Zhiyao Duan and David Temperley

 

ON COMPARATIVE STATISTICS FOR LABELLING TASKS: WHAT CAN WE LEARN FROM MIREX ACE 2013?

John Ashley Burgoyne, Bas de Haas and Johan Pauwels

 

ON CULTURAL AND EXPERIENTIAL ASPECTS OF MUSIC MOOD

Abhishek Singhi and Daniel Brown

 

ON INTER-RATER AGREEMENT IN AUDIO MUSIC SIMILARITY

Arthur Flexer

 

PANAKO - A SCALABLE ACOUSTIC FINGERPRINTING SYSTEM HANDLING TEMPO AND PITCH MODIFICATIONS

Joren Six and Marc Leman

 

PERCEPTUAL ANALYSIS OF THE F-MEASURE TO EVALUATE SECTION BOUNDARIES IN MUSIC

Oriol Nieto, Morwaread Farbood, Tristan Jehan and Juan Pablo Bello

 

PREDICTING EXPRESSIVE DYNAMICS IN PIANO PERFORMANCES USING NEURAL NETWORKS

Sam van Herwaarden, Maarten Grachten and W. Bas de Haas

 

PROBABILISTIC EXTRACTION OF BEAT POSITIONS FROM NEURAL NETWORK ACTIVATIONS

Filip Korzeniowski, Sebastian Bock and Gerhard Widmer

 

RNN-BASED MUSIC LANGUAGE MODELS FOR IMPROVING AUTOMATIC MUSIC TRANSCRIPTION

Siddharth Sigtia, Emmanouil Benetos, Srikanth Cherla, Tillman Weyde, Artur Garcez and Simon Dixon

 

ROBUST JOINT ALIGNMENT OF MULTIPLE VERSIONS OF A PIECE OF MUSIC

Siying Wang, Sebastian Ewert and Simon Dixon

 

SCALABLE COVER SONG RETRIEVAL USING COGNITION-INSPIRED DESCRIPTORS AND A MODEL OF STABILITY

Jan Van Balen, Dimitrios Bountouridis, Frans Wiering and Remco Veltkamp

 

SINGING VOICE SEPARATION USING SPECTRO-TEMPORAL MODULATION FEATURES

Frederick Yen, Yin-Jyun Luo and Tai-Shih Chi

 

SINGING-VOICE SEPARATION FROM MONAURAL RECORDINGS USING DEEP RECURRENT NEURAL NETWORKS

Po-Sen Huang, Minje Kim, Mark Hasegawa-Johnson and Paris Smaragdis

 

SOCIAL MUSIC IN CARS

Sally Jo Cunningham, David M. Nichols, David Bainbridge and Hassan Ali

 

SPARSE CEPSTRAL AND PHASE CODES FOR GUITAR PLAYING TECHNIQUE CLASSIFICATION

Li Su, Li Fan Yu and Yi-Hsuan Yang

 

SPOTTING A QUERY PHRASE FROM POLYPHONIC MUSIC AUDIO SIGNALS BASED ON SEMI-SUPERVISED NONNEGATIVE MATRIX FACTORIZATION

Taro Masuda, Kazuyoshi Yoshii, Masataka Goto and Shigeo Morishima

 

STUDY OF THE SIMILARITY BETWEEN LINGUISTIC TONES AND MELODIC PITCH CONTOURS IN BEIJING OPERA SINGING

Shuo Zhang, Rafael Caro Repetto and Xavier Serra

 

SYSTEMATIC MULTI-SCALE SET-CLASS ANALYSIS

Agustin Martorell

 

TASTE SPACE VERSUS THE WORLD: AN EMBEDDING ANALYSIS OF LISTENING HABITS AND GEOGRAPHY

Joshua Moore, Thorsten Joachims and Douglas Turnbull

 

TEMPLATE ADAPTATION FOR IMPROVING AUTOMATIC MUSIC TRANSCRIPTION

Emmanouil Benetos, Roland Badeau, Tillman Weyde and Gael Richard

 

TEMPO- AND TRANSPOSITION-INVARIANT IDENTIFICATION OF PIECE AND SCORE POSITION

Andreas Arzt, Gerhard Widmer and Reinhard Sonnleitner

 

TEN YEARS OF MIREX (MUSIC INFORMATION RETRIEVAL EVALUATION EXCHANGE): REFLECTIONS, CHALLENGES AND OPPORTUNITIES

J. Stephen Downie, Xiao Hu, Jin Ha Lee, Kahyun Choi, Sally Jo Cunningham and Yun Hao

 

THE IMPORTANCE OF F0 TRACKING IN QUERY-BY-SINGING-HUMMING

Emilio Molina, Lorenzo J. Tardon, Isabel Barbancho and Ana M. Barbancho

 

THE KIKI-BOUBA MIR CHALLENGES

Bob Sturm and Nick Collins

 

THE PROBLEM OF MUSIC DESCRIPTION

Bob Sturm, Rolf Bardeli, Thibault Langlois and Valentin Emiya

 

THE VIS FRAMEWORK: ANALYZING COUNTERPOINT IN LARGE DATASETS

Christopher Antila and Julie Cumming

 

THEORETICAL FRAMEWORK OF A COMPUTATIONAL MODEL OF AUDITORY MEMORY FOR MUSIC EMOTION RECOGNITION

Marcelo Caetano and Frans Wiering

 

TOWARDS AUTOMATIC CONTENT-BASED SEPARATION OF DJ MIXES INTO SINGLE TRACKS

Nikolay Glazyrin

 

TOWARDS SEAMLESS NETWORK MUSIC PERFORMANCE: USING A BAYESIAN NETWORK FOR CONTEXT-AWARE EXPRESSIVE TIMING PREDICTION

Bogdan Vera and Elaine Chew

 

TRACKING THE "ODD": METER INFERENCE IN A CULTURALLY DIVERSE MUSIC CORPUS

Andre Holzapfel, Florian Krebs and Ajay Srinivasamurthy

 

TRANSCRIPTION AND RECOGNITION OF SYLLABLE BASED PERCUSSION PATTERNS: THE CASE OF BEIJING OPERA

Ajay Srinivasamurthy, Rafael Caro Repetto, Harshavardhan Sundar and Xavier Serra

 

TRANSFER LEARNING BY SUPERVISED PRE-TRAINING FOR AUDIO-BASED MUSIC CLASSIFICATION

Aaron van den Oord, Sander Dieleman and Benjamin Schrauwen

 

VEROVIO: A LIBRARY FOR ENGRAVING MEI MUSIC NOTATION INTO SVG

Laurent Pugin, Rodolfo Zitellini and Perry Roland

 

VOCAL SEPARATION USING SINGER-VOWEL PRIORS OBTAINED FROM POLYPHONIC AUDIO

Shrikant Venkataramani, Nagesh Nayak, Preeti Rao and Rajbabu Velmurugan

 

WHAT IS THE EFFECT OF AUDIO QUALITY ON THE ROBUSTNESS OF MFCCS AND CHROMA FEATURES?

Julian Urbano, Dmitry Bogdanov, Perfecto Herrera, Emilia Gomez and Xavier Serra